Guest Voices: Charles Okereke

Today’s guest post comes to us from photographer Charles Okereke. Based in Nigeria, Okereke’s world Once in a Blue World was featured in the Earth Matters exhibition. Charles was also feature earlier on our blog -https://earthmatters2013.wordpress.com/2013/08/21/earth-matters-around-the-web-charles-okereke/.

Now Okereke comes to us with his own words and meditations on his powerful and personal, world-conscious photographs. Be sure to visit Okereke’s blog for more works of art and news about this renowned photographer at charles-okereke.blogspot.com/.

Earth, a Dying World?  

by

Charles Okereke

 

The Earth was made as a dwelling place for all creatures, which also includes man.

Of all the creatures dwelling therein, Man is the destroyer when he was otherwise crowned with sovereignty. This arrogant attitude indicates an excess of self-worth, and has made man a plunderer rather than a nurturer.

Human beings are the only creatures that have set rules apart for themselves and refuse to conform to laws that guide creation’s movement and sustenance. Man is similarly the only creature that is out of tune with the eco-system and plagued with a one-sided narrow intellectual outlook.

What is sensed and termed as catastrophes globally today are but a retroactive consequence of a misalignment of the forces of nature – mankind so to speak, has dug its own grave, like dying Worlds.

Hdramhindra Blasted-2010 copy

Hdramhindra Blasted (2010)

This period of recompense will be felt globally in every facet of human endeavor, not only environmentally or climatically. But it will likewise reflect in socio-political affairs, which can already be surmised in the upheavals that are perennial occurrences today.

 

Man has been living in an exclusively selfish mentality, devoid of the understanding of the powers which he uses daily, ignoring nature’s principles and adjusting thereby. Economic affairs are collapsing; nations are in conflict, and there is uprising everywhere.

Dis-integration-2010 copy

Dis-integration Cameo (2010)

 

These are visible reverse processes, as the system has to automatically be put back into orderliness by eliminating the inferior and the destructive, be they man or animals, worlds and planets, landscapes and mountains, rivers and oceans, man against man, nations against nations, economic shifts and the rest of them – all these are manifestations of the activities of the Lords of the elements, which man sees as warfare in nature, and perceives one-sidedly as cruel in their manifestations and activities.

Untitled

Collapse of Andromeda Emperial (2011)

Even in routine designs, we know there is a designer with a purpose who strives to make his designs adaptable and useful to the original intention for its creation; how much more for an automatic pulsating life form like the Earth with her inherent regulatory system. Mankind can only learn by compulsion and   experiences in the coming years to adapt naturally.

My concern comes from the simple understanding that we are all connected and a part of the ecosystem, and by my sense of duty to maintain a healthy and natural world.

Saturn Anchored-2010 copy

Saturn Anchored (2010)

 

The work of the photographer of this generation becomes increasingly perilous as understanding narrows. As an artist, I use photography as a tool to highlight this observation and neglect, a state of inertia among the people and to bring about an awakening to consciousness, and of the need to be more proactive on issues that concern us as human beings.

Vasitha-2010 copy

Vasitha (2010)

My work speaks metaphorically, as I tend to perceive the images in a sort of tragic-comic innuendo, which if deduced based on surface perception will not reveal much, unless penetrated. I work as an artist not in a stark documentation of the assaulted environment, but from deductions which expose and interpret without being overly offensive or derogatory in presentation. I work to instigate a re-examining of hitherto traditional precepts which do not further, but hinder our species’ progress towards a healthy maturity.

Likewise, the Planetarium subseries, from my Unseen World series uses common objects littering my local environment to illustrate planets in stages of birth, development and disintegration – effects of the activities of the creatures dwelling therein. This places a grim picture before the people of earth illustrating the urgent need to care for Mother Earth and, perhaps, in this process, provide hope for a rebirth and rejuvenation.

Untitled

Count Down Versuvus (2011)

The fight for a readjustment to the natural order is a constant shift in the consciousness of mankind, as this period is declared a compelling time for obedience, and can never relent to the wills of men, but of a final culmination of purification, which will not cease until there is a change. More is yet to come that will silence man, until he learns the true principles of adaptation.

Untitled

Rebirth of Orpheus (2010)

In my immediate environment, I act more in the sense of an activist for a cause. My pronouncements and photography has marked me out as a crusader of sorts. But these are issues of intolerance which affect all regions, although it could be more heightened and perceived in some areas.

Paradise Utopia-2011 copy

Paradise Utopia (2011)

 

Hence I stand on my duty post armed with the potentials to perceive, deduce and freeze the moments through imagery.

By Charles Okereke, 2013

http://www.charles-okereke.blogspot.com

 

Advertisements

Earth Matters Around the Web: Charles Okereke

Today’s post will feature Nigerian born artist Charles Okereke,  one of the artists featured on the Earth Matter’s exhibition.  Okereke  works with different media ranging from photography, video and  sculpture. He also writes, acts and directs plays and drama pieces.

Charles Okereke

Charles Okereke

Earth Matters features works from Okereke’s Canal People Series which you can view by visiting his blog at http://charles-okereke.blogspot.com/

Once a Blue World, from the Canal People series below is currently showing in Earth Matters.

Charles Okereke  b. 1966, Nigeria Once a Blue World, from the Canal People series 2009 (2013 exhibition print) Chromira print on archival paper 44.5 x 59.7 cm (17 1/2 x 23 ½ in.) Collection of the artist

Charles Okereke
b. 1966, Nigeria
Once a Blue World, from the Canal People series
2009 (2013 exhibition print)
Chromira print on archival paper
44.5 x 59.7 cm (17 1/2 x 23 ½ in.)
Collection of the artist

You can also find out more about this body of work in an interview with the artist here:

http://blog.leica-camera.com/photographers/interviews/charles-okereke-creating-awareness-with-art/

In 2009 Okereke joined the Invisible Borders Trans-African Photographic Initiative, an artist -led project founded by Nigerian artists committed to affecting change in society. The video below traces the group of artists that participated in this project in 2011.

Visit the  Invisible  Border’s website  http://invisible-borders.com/ to learn more about the project